Painting the Internet: A Different Kind of Warhol Worm

dc.contributor.authorAycock, Johneng
dc.date.accessioned2008-02-26T20:22:00Z
dc.date.available2008-02-26T20:22:00Z
dc.date.computerscience2006-05-24eng
dc.date.issued2006-05-24eng
dc.description.abstractSome people have argued that software is artistic. If so, what about malware? Only occasional, small-scale attempts have been made to create art using malware. We present art worms, worms which allow an artist to use the entire Internet as a canvas. These worms could be interactive, allowing an artist to stage a global performance, or non-interactive and automatic. Examples are given of artworks that could result from these worms. Art worms raise a variety of questions about the very nature of art: what constitutes art? must art be seen in order to exist? should art be destroyed? Two major technical aspects of art worms are communication and geolocation. Both aspects ensure that art worms behave correctly to create an overall picture. We look at a number of ways that malware can perform these tasks, which have broader applications to malware targeted at specific countries for the purposes of terrorism or information warfare.eng
dc.description.notesWe are currently acquiring citations for the work deposited into this collection. We recognize the distribution rights of this item may have been assigned to another entity, other than the author(s) of the work.If you can provide the citation for this work or you think you own the distribution rights to this work please contact the Institutional Repository Administrator at digitize@ucalgary.caeng
dc.identifier.department2006-834-27eng
dc.identifier.doihttp://dx.doi.org/10.11575/PRISM/30295
dc.identifier.urihttp://hdl.handle.net/1880/45375
dc.language.isoEngeng
dc.publisher.corporateUniversity of Calgaryeng
dc.publisher.facultyScienceeng
dc.subjectComputer Scienceeng
dc.titlePainting the Internet: A Different Kind of Warhol Wormeng
dc.typeunknown
thesis.degree.disciplineComputer Scienceeng
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