Luigi Boccherini's six string quartets, opus 32: a formal and stylistic analysis
dc.contributor.advisor | DeLong, Kenneth G. | |
dc.contributor.author | Rode, Geoffrey Mark | |
dc.date.accessioned | 2005-08-05T16:50:48Z | |
dc.date.available | 2005-08-05T16:50:48Z | |
dc.date.issued | 1992 | |
dc.description | Bibliography: p. 83-88. | en |
dc.description.abstract | During the course of his lifetime Luigi Boccherini (1743-1805) composed ninety complete string quartets, approximately the same number as Haydn and Mozart combined. The majority of these works were promptly published, a sure indication that Boccherini's music was both known to and appreciated by the music-buying public at large. From an analysis of Boccherini's Opus 32 string quartets it can be seen that his works stand apart from both the Viennese mainstream and its Parisian tributary, the Quatuor concertant. Boccherini's quartets form, rather, a distinctive body of works— works that show an awareness of contemporary styles of quartet composition but which adopt an independent stylistic stance. With their emphasis upon distinctive melody, imaginative textural writing for the instruments, and in their sheer caprice, Boccherini's quartets were a harbinger of what eventually became the early romantic approach to the writing of string quartets. | en |
dc.format.extent | vii, 88 leaves ; 30 cm. | en |
dc.identifier.citation | Rode, G. M. (1992). Luigi Boccherini's six string quartets, opus 32: a formal and stylistic analysis (Master's thesis, University of Calgary, Calgary, Canada). Retrieved from https://prism.ucalgary.ca. doi:10.11575/PRISM/18428 | en_US |
dc.identifier.doi | http://dx.doi.org/10.11575/PRISM/18428 | |
dc.identifier.isbn | 0315790962 | en |
dc.identifier.lcc | ML 410 B66 R63 1992 | en |
dc.identifier.uri | http://hdl.handle.net/1880/31051 | |
dc.language.iso | eng | |
dc.publisher.institution | University of Calgary | en |
dc.publisher.place | Calgary | en |
dc.rights | University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. | |
dc.subject.lcc | ML 410 B66 R63 1992 | en |
dc.subject.lcsh | Boccherini, Luigi, 1743-1805. Quartets, strings, G. 201-206 | |
dc.subject.lcsh | String quartets - Analysis, Appreciation | |
dc.subject.lcsh | Boccherini, Luigi, 1743-1805 | |
dc.title | Luigi Boccherini's six string quartets, opus 32: a formal and stylistic analysis | |
dc.type | master thesis | |
thesis.degree.discipline | Music | |
thesis.degree.grantor | University of Calgary | |
thesis.degree.name | Master of Music (MMus) | |
ucalgary.item.requestcopy | true | |
ucalgary.thesis.accession | Theses Collection 58.002:Box 840 520538730 | |
ucalgary.thesis.notes | offsite | en |
ucalgary.thesis.uarcrelease | y | en |
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