Designing a choreographic movement matrix: the intermedia relationship between stage and screen
Date
2012
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Abstract
In this thesis, I examine the movement connections between stage and screen through my own hybrid works, Somnolence and Fraction ( contemporary dance and videodance within live performance). I suggest that a hybrid work and process renders a work intermedia, and that the intertwining of these mediums through the process give rise to an intermedial work that is greater than the sum of its parts. Additionally, I argue that there is something even more foundational embedded in the hybrid process: a web of connections that exist across the mediums. I assert that it is this web of connections (what I call a matrix, or matrices) that is made between mediums that allows for the hybrid work to be perceived and experienced as a whole.
Description
Bibliography: p. 116-120
Some pages are in colour.
Includes CD containing accompanying material.
Some pages are in colour.
Includes CD containing accompanying material.
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Citation
Mahood, J. (2012). Designing a choreographic movement matrix: the intermedia relationship between stage and screen (Master's thesis, University of Calgary, Calgary, Canada). Retrieved from https://prism.ucalgary.ca. doi:10.11575/PRISM/4830