Abstract
A technique for modelling tonal music using multiple viewpoints is
described. Markov models are used with a different model for each of
a number of different viewpoints: for example, the durations of notes
or their relative intervals. The models are extracted from existing
pieces, or can be constructed by hand. The technique is evaluated by
using models to generate new pieces. Examples are given of pieces
generated using models of monodic Gregorian chant and two voice polyphony.
Notes
We are currently acquiring citations for the work deposited into this collection. We recognize the distribution rights of this item may have been assigned to another entity, other than the author(s) of the work.If you can provide the citation for this work or you think you own the distribution rights to this work please contact the Institutional Repository Administrator at digitize@ucalgary.ca
