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dc.contributor.authorPage, Joannaen_US
dc.date.accessioned2014-02-21T16:51:46Z
dc.date.available2014-02-24T08:00:16Z
dc.date.issued2014
dc.identifier.citationPage, J. "Creativity and science in contemporary Argentine literature: between Romanticism and Formalism". Latin American and Caribbean Series; 10. University of Calgary Press, Calgary, Alberta, 2014.eng
dc.identifier.isbn978-1-55238-771-9
dc.identifier.urihttp://hdl.handle.net/1880/49946
dc.descriptionSeries: Latin American and Caribbean Series; 10en_US
dc.description.abstractWith a burgeoning academic interest in Latin American science fiction and cyberfiction and in representations of science and technology in Latin American literature and cinema, this book adds new understanding to the growing body of interdisciplinary work on the relationship between literature and science in postmodern culture. Joanna Page examines how contemporary fiction and literary theory in Argentina consistently employ theories and models from mathematics and science to probe the nature of innovation and evolution in literature. Theories of incompleteness, uncertainty, and chaos are often mobilized in European and North American literary and philosophical texts as metaphors for the inadequacy of our epistemological tools to probe the world's complexity. However, in recent Argentine fiction, these generalizations are put to very different uses: to map out the potential for artistic creativity and regeneration in times of crisis. Page focuses on texts by contemporary Argentine writers Ricardo Piglia, Guillermo Mart'nez and Marcelo Cohen, which draw on theories of formal systems, chaos, emergence, and complexity to counter proclamations of the end of philosophy or the exhaustion of literature in the postmodern era. This book makes a significant contribution to our understanding of how newness and creativity have been theorized, tracing often unexpected relationships between thinkers such as Nietzsche, Deleuze, and the Russian Formalists. It is also the first time that a major study in English has been published on the work of Mart'nez, Piglia, or Cohen.en_US
dc.language.isoengen_US
dc.publisherUniversity of Calgary Presseng
dc.rightsAttribution Non-Commercial No Derivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectArgentine literature—20th century—Themes, motives—History and criticismeng
dc.subjectMartínez, Guillermo, 1962- —Criticism and interpretationeng
dc.subjectPiglia, Ricardo—Criticism and interpretationeng
dc.subjectCohen, Marcelo— Criticism and interpretationeng
dc.subjectScience in literatureeng
dc.subjectTechnology in literatureeng
dc.subjectMathematics in literatureeng
dc.subjectCreative ability in literatureeng
dc.subjectRomanticism—Argentinaeng
dc.subjectFormalism (Literature)—Argentinaeng
dc.titleCreativity and science in contemporary Argentine literature: between Romanticism and Formalismeng
dc.typebook
dc.description.refereedYeseng
dc.publisher.urlhttp://press.ucalgary.ca/eng
dc.description.embargoterms2014-02-24en_US
dc.identifier.doihttp://dx.doi.org/10.11575/PRISM/34553


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Attribution Non-Commercial No Derivatives 4.0 International
Except where otherwise noted, this item's license is described as Attribution Non-Commercial No Derivatives 4.0 International