Kertzer, AdriennePolsky, Jude2005-08-082005-08-0820020612761665http://hdl.handle.net/1880/39536Bibliography: p. 102-108Using the term "humour" broadly-to include jokes, the comic, parody, satire, irony, and understatement this thesis examines the Holocaust texts of three writers. After debating various taboos and issues of representation, I discuss Maus I and Maus II, the comic books of Art Spiegelman that created a new genre and new ways to represent the altered reality of the concentration camps. In Chapter Three I analyse a book of short stories by Tadeusz Borowski, This Way for the Gas, Ladies and Gentlemen, and argue that the author's dark humour places readers into what Primo Levi calls the "gray zone," a place of collusion between perpetrator and victim. Chapter Four deals with excerpts of oral testimony in which survivors speak about their experiences with humour in the camps; I then analyse the songs of Aleksander Kulisiewicz, a much neglected Polish songwriter who caricatures and parodies the Nazi system of extermination.vi, 112 leaves ; 30 cm.engUniversity of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission.AC1 .T484 2002 P657master thesis10.11575/PRISM/23753AC1 .T484 2002 P657