Radford, LaurieArteaga de Anda, Carlos Alberto2019-06-062019-06-062019-06-05Arteaga de Anda, C. A. (2019). Exploring conceptual implications of non-cochlear sonic art in sound installations (Master's thesis, University of Calgary, Calgary, Canada). Retrieved from https://prism.ucalgary.ca.http://hdl.handle.net/1880/110476This thesis work explores non-cochlear sonic art in an art installation context. It describes music and the sonic arts and discusses their similarities and differences with the objective of being able to clearly differentiate one from the other. This thesis places non-cochlearity at the heart of the sonic arts as a discursive art practice that enables a dialogue concerning sound’s potential beyond aurality. Sound installation is chosen as the preferred medium for this exploration due to its openness to incorporate sound sculpture, sound objects, sound playback, and sound movement in space. This thesis project is comprised of three different sound installations that explore non- cochlearity through sound, silence, video and objects.engUniversity of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission.Non-cochlear sonic artsound installationmusic and sound artMusicmaster thesis10.11575/PRISM/36624