Dugan, JamesHalwas, Andrea2017-12-182017-12-182007http://hdl.handle.net/1880/102026Bibliography: p. 79-84In many of Harold Pinter's plays, the conflict is set in motion by the arrival of a visitor at the door. With this unexpected admission a particular power struggle emerges, and by the end of the play, someone has lost the struggle and someone has won. It would be poetic to say that this very conflict mirrors the events of the Holocaust, that in the end, with the defeat of the Nazis, someone had won. Unfortunately, there were not any winners in the Holocaust, only victims. It is the memory of these victims that motivates Pinter to write the plays that he does, plays that are, at heart, addressing the corruption of mankind.vi, 84 leaves ; 30 cm.engUniversity of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission.A knock at the door: politics in the plays of Harold Pintermaster thesis10.11575/PRISM/1025