Gathering 3: November 4, 2019
Our gathering occurred on a November evening when the sun was already set, and the weather was not yet too cold. We, once again, came together at the Métis local with food, tea, conversation, and laughter. Before slipping into discussions of the inquiry, people were discussing the sash Matt was weaving with inquiries into the colours and familial connections to certain patterns. A conversation about language was occurring and the impetus of language to know who we are.
I began the discussion by telling the group I had printed off each photo for the placement into the bundle. I reminded them of the bundle’s presence at each gathering; if they wished to do so they could also contribute an item they felt related to our research. Having individuals text me after the last gathering to share reflections on their experiences, I opened the discussion with a check-in about how the process was going and if there were any reflections that people wanted to share. Matt shared of the many things that he had taken for granted, or mundane, or not given much thought too, and seeing others’ photos allowed him to become more comfortable, especially in seeing similarities in experiences and practices. Charmaine expressed her feelings, “felt a huge sense of belonging, I finally fit somewhere, I thought that I could shake a lot of the shame that I had too, [because] we were told not to talk about. I felt really at peace after, slept the best that I have in a while, felt like I did something for myself”. Patricia’s reflections of the last gathering pointed to the importance of Métis spaces, “in some ways we talked about surface levels things…we practice our Métis identity in our hearts, I guess on a deeper level, how we move as Métis people as a way we all move, how much we need to be heard, a hunger to be heard” Creating a space (referring to the gathering) is a space where we can talk about Métis understandings, because elsewhere people don’t understand the complexities (Patricia). After the last gathering, I had begun to think about that, how we can maintain these spaces for us to come together, in the busyness, how do we still come together consistently (Vicki). Commenting on Vicki’s words, Patricia shared that it is not necessarily the busyness that precludes the creation of these spaces and discussion, but “it’s something that I am not used to sharing…letting go”.
Reg offered some perspective to our discussion about resiliency, “how do we build resilience, after Residential school, we did not speak [Blackfoot], we could understand it, but couldn’t speak publicly, we’d go to restaurant and we’d whisper, and we could hear others speaking their language and we still didn’t speak our language. It gave me anguish, anger, shame, so we started speaking it out loud, but resiliency, what do we have to build resiliency, four things, smudge, circle, Elder and an Elder to sing a song. It gives safety to Indigenous people in a world that they don’t feel safe in. We [Reg and Rose] attended a conference that increased the participation of Indigenous people because it provided safety. Protection, it’s those circles and the smudge that tie us to the environment, the land, the language that comes from the land, the way we do things that come from the land, they were accommodated in the circle, then you feel we can build some sort of way we can give to our youth, and to our Elders to build capacity for that knowledge. That’s what I see here, a space where you can build resiliency, a space you can go and say I am a part of the space, its real, I can take guilt, shame, frustration off and be who I am, that’s what builds resiliency, that’s so important when you talk about what’s going to happen after your doctoral work, it has to be maintained somehow, and maybe that will come out of your work, maybe some principles.
“Hearing Graham and Edmee speak [Michif] hit me so profoundly, when you look mainstream, people don’t believe you, ‘no really, I am inherently different here (points to heart), I might not look the way you expect’, but hearing the language somehow authenticates that we are different, because of the natural law, the philosophy and worldview that comes through the language, and I rarely hear it….if we could bring the language back into Calgary, that would be profoundly helpful” (Sharon)
With this final reflection we shifted our conversation into the photos shared this week. Berkley shared her photo of the clay people first which represents her relationship with her friend’s son. Sadly, her friend passed away, and Berkley felt a responsibility to continue caring for him, “[I] have a spiritual connection to him, I’m not his Auntie but I am his Auntie…responsibility is on me to keep that connection”. Her great uncle is Jim Brady, a prominent Métis leader who helped establish the Métis Nation of Alberta, she wanted to know more about him and went to visit Maria Campbell to hear stories of her great uncle. In their conversing, Maria told her, “there is no word for uncle in Cree, just call him Moshom”. Circling back to her friend’s son, “I am his Auntie, but not his blood Auntie and I feel that that idea is Métis”. Vicki shared of her cousin growing up with her, but she never considered her a cousin, she was a sister, “when you try to explain that to people, they don’t get it often”.
Reg offered his insights, “teachers become kin, we have people that we are connected with through the thunder pipe, and they became our [ceremonial] grandparents, then they open the door to teach us, even when we go down [Montana}, all the kids think we’re their relatives” (everyone chuckles).
Berkley, “there is a story that I was a very strong-willed child, and passionate child, so I would throw a lot of tantrums, and he grandpa would say ‘oh look, Berkley is singing’”. Charmaine, who is sitting beside Berkley, affirms that that happened to her (as everyone laughs). Matt looks up from his weaving, “Is that a cultural thing, because I was raised by my grandparents and if I had a buck for every time, they told me ‘what a great song’ as I am melting down (everyone is laughing). Through the laughter, Edmee asserts, “It is!”, and Charmaine adds, “I do that to my kids now”. Sharon offers her experiences growing up, “my mom, and family, like if you misbehaved, (she signals come here with your finger and points in a direction) you would talk over there, it was never “what are you doing” [yelling} embarrassing and humiliating, you would quietly resolve it, minimiz[e] it…but it is a style of parenting, right”. Vicki shares an experience with her dad, I remember I didn’t listen to my dad’s instructions one time, I took the bus late at night at Marlborough mall, and he told not to take the bus late, and I am sitting at the back of the bus with my friend, and it’s only us two on the bus, and my dad had white hair young, next thing, the bus driver turns around asks “is there a Vicki on the bus, your grandpa is here”, so he found me and the whole drive home was silent, that’s how I knew I was in trouble, there wasn’t screaming, so we got home and sat at the table and he talked to me, I was more afraid of that and I never did it again”. Sharon adds, “I think it’s because you knew what your dad expected of you and you felt so bad, you didn’t need anyone to hell at you”.
We move on from talking about parenting, Charmaine shares her photo of the different colours of hair, “my daughters’ hair, [one] super light and [one]darker, how different colours can come from one person. “This is a picture of my great grandfather Justin Larocque, so he served, he was driving train from Winnipeg to PEI, he was forced to do it, he could only speak Michif, I got to meet him, he was 99”. Rose shares with Charmaine that her dad too was in the army and an old man took her dad as his son and was a Larocque from Hobbema (Charmaine, “Oh really”), and he could only speak Cree, so they started to pick up Cree. "This is him again” (Charmaine), “what does the last of a hardy breed mean?” (people chuckle) (Vicki). “I think because in Boggy Creek, they practiced, they were proud, their mukluks were made with denim and leather, they were proud to stand up and say who we were, by practicing all the time, and living off the land, the way they worked, I think that’s where the news article came from” (Charmaine), “I’ve always known I was Métis, my dad was very much, always be proud, I know other narratives, they’re not taught…for some, there’s been a fight to be proud” (Vicki). Rose shares with Vicki that her cousin was married to a Bouvier from Yellowknife. Charmaine’s photo of the tree is shown, “It just sat with me, I was having a moment, it just hit me to take this picture, it reminded me of family tree, family connections, and how many little buds, and pieces are off of that, nurturing loving heartbeat of the family tree”.
Heritage Park, specifically the fort, was the place where Matt “grew up”, “I started [working there] at 16yrs, [a] big part of how I came to understand I was Métis. Matt was raised by his grandparents and has a taut relationship with his mom, “[I] never gave it much thought, I grew up learning in school that Métis was half French and half First nations, neither of my parents is French, neither of my parents are First Nations and based on what I learned in school, I didn’t see myself as Métis. Working [at Heritage Park] I started to learn that Métis are more of a culture and a people, these characteristics, that’s what my family does”. As Matt started compiling and his family tree, he started seeing names crop up, “this is where everything clicked for me”. Matt started talking to his mom about it and was able to situate himself as part of the history, “my ancestors lived in a place like this” (as he points to the fort on the screen), I cannot separate my self-understanding from that space, [it] made the past real, which made it easier to understand how we got from there to here. From this narrative, a conversation about how we live out stories of the past in the present, “the past and the present are difficult to separate” (Matt).
“I always look at stories as storage packages for knowledge” (Reg)
This sparked a discussion of how we might validate Métis stories. Reg shares “the circle and the smudge protect the story and validates them as real because they’re from an oral culture and that will be the practice of protecting them as real”. When I hear my aunt tell stories, it’s always in context and she always tells the teller and kinship of where you heard it, because some didn’t smudge, but there’s still a protection there, so how you heard the story, where you heard the story….lots of our stories have been told by non-Métis people, so the ones that are ours, are placed in a context and within a kinship system”.
“We’re still playing these card games” (Matt). Important to Matt was sharing his card game with his sister, “me and my sister sitting on the floor playing cards, this is what we used to with mom and dad, and my grandparents, playing cribbage, most casual thing in the world, but I don’t play cards with any of my non-Métis friends”. The card game was also a time to have conversations with his sister. This occasion, they discussed the act of doing favours for people with the expectation to have something in return. Matt shared with us that this was a foreign concept to him and that “You give when you have, take when you need” is a value that he’s been acculturated to (around the table people were nodding), “it’s not an account balance” (Matt)
“Our natural laws that give us laws support stewardship/ownership, what’s in it for me, wasn’t part of it” (Reg)
Changing conversational direction, Patricia shared her photos, all of them being of family (some are not shown here for identity reasons). In sharing the older photo, she shared, “we’re picking up what was stolen from us, and putting down what was thrust upon us, more personally, putting down traumas in order that we don’t pass them down to our children”. She shared that her mom has talked to her about the “unnamed shame of being Métis”, it was bad to be Métis. Patricia articulated the hesitancy of family wanting their children or grandchildren to be Métis because of what they went through, “because I think that what we don’t pass on to our kids is what hurt us the most, but we’re trying, every generation tries”. It is safer, as we start to see people that look like us, “representation is so important”. Coming back to who we are is where the healing will transpire.
“Fear can’t foster passion for learning, this space is giving you the safety to foster your passion, then the kids will be free, but you can’t grow with that fear” (Reg)
“I have always experienced depression, and practicing being Métis, that depression has been inherited, our family members suffered from trauma, and I was experiencing depression, and I remember talking to Reg about how we do need darkness, but we can’t stay in it...younger I didn’t know how to move through it, I took up beading again, but specifically to bead something that correlated to our process, I want to show my son that it’s okay to feel depression, I wasn’t taught that depression is okay growing up. I beaded this as part of our bundle, for me, moving through depression is a spiritual practice, connected to Creator, to land, to kinship, is also what helps, coming together, and spiraling to understand, depression isn’t linear, a physical document, moving through something in a good way (beaded lanyard). Matt shares that he has dealt with it, but “I don’t like to think that is is necessarily tied to the culture, that could be misinterpreted, but I do think in regard to the kinds of trauma, it takes its toll”
“My grandma was Scottish, and she would say she was a born-again Christian, she owned a Christian bookstore, I would go travel with her, I was really close with her until she died when I was 10. This is my grade 6 confirmation, and you must pick a Saint when you go through that. I was adamant that she had to be Aboriginal, this is Blessed Kateri Tekakwitha, and even though she’s Mohawk (chuckles), even at grade six, I had the know how I wanted to honour that part of me, it’s about honouring both, finding a balance is a practice of being Métis. I was ashamed of this for a long time, until I realized I could honour my grandmother without taking on Catholicism, I’ve had this book since I was in grade six, and wow, it is not appropriate, (chuckling in the group) (Vicki).
The gathering concluded with me asking them if they wanted to have another round of sharing or move to analysis and discussion. One individual was tapped out, but could have another session, one individual said, “I’ve just begun”, one person gave me a thumbs up, another individual commented, “another round because now that we’ve already seen what we first think of, and the conversations are deepening, it would be interesting to see what those things we start to see are”, a collective decision was to have another round in December.
We closed with last thoughts, “I just want to say thank you to everybody for being so open, and accepting” (Charmaine). “When you get enough Métis people in room, there’s shared experiences, narratives repeat, it’s very heartening and grounding to hear stories that are so parallel to your own” (Matt).
The smudge is a governance for our society, that was recognize. The first ones to recognize that governance were the newcomers that came however, the children that came from that first newcomers is what the Elders looked at oral treaty, because then they became family, then they became relatives, and they had to share the land, and they had work together, and that’s where the oral treaty concept of relative making was a big part of that and that’s the Métis however, when the government started to go away with Indigenous governance, and they hung Louis Riel, that was one of the biggest mistakes, and the government came out and said we’re the only government of the land. I always remember that those were treaties before treaties came up” (Reg)
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