Legacy Theses

Permanent URI for this collection

https://prism.ucalgary.ca/handle/1880/100030

University of Calgary masters and doctoral theses submitted in paper format prior to the electronic thesis and dissertation program.

University of Calgary graduate alumni can make their thesis publicly available in PRISM by contacting digitalservices@ucalgary.libanswers.com

The electronic theses and dissertations on this site are for the personal use of students, scholars and the public. Any commercial use, publication or lending of them in libraries is strictly prohibited.

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Now showing 1 - 20 of 173

Open Access
A beautiful ruin: testing scripted site analysis in Victoria Park
(2010) Kelly, Kristofer; Hamel, Catherine
Open Access
A feast for the senses
(2008) Gibson, Kristen; King, Andrew
Open Access
A path of sodality: A Catholic maronite church for Calgary
(1998) Couture, Vicky; Lee, Tang G.
Open Access
A place for healing
(1998) Passafaro, Irene M. Walter; Taylor, Dale M.
Open Access
A re-cohesion of the urban condition: a western Canadian architectural centre
(2005) Lyness, Jeffrey Thomas; Brown, John L.
Open Access
A study in veneer culture
(1998) Churchill, Jeffery David; Brown, John L.
Open Access
A Wadden Sea Interpretive Centre: An MDP document
(1996) Koppe, Hans T. J.; Brown, John L.
Open Access
Acupuncture and porosity
(2009) Chen, Xi; Wang, Yuping; Boutin, Marc
Open Access
Adaptive re-use: exploring the middle ground
(2006) Bliewert, Ralph; Fowlow, Loraine Dearstyne
Open Access
Agile architecture: an innovative approach to mixed-use open building
(2009) Blackett, Robert; Sinclair, Brian R.
Open Access
Amass to form: tangible architecture for immigrant women
(2005) De La Fuente, Yvonne; Hamel, Catherine
Open Access
An aarcitecture of recovery
(2006) Stirrett, Peggy; Hamel, Catherine
Open Access
An alternative shelter environment for the elderly
(1985) Smith, Sheila J.; Love, James
Open Access
An architecture of diffusion: an electroacoustic music facility for the city of Calgary
(2002) Ravndahl, Kerri; Brown, John L.
A common debate regarding contemporary music is the perceived loss of the performer, the performance, and therefore, the need for the performance environment. Current trends in contemporary musical performance blur the traditional definition of live through the use of electronic technologies. The majority of music is now rarely composed in reference to a particular performance space; rather it is composed to produce optimal sounds out of a home stereo. It is important that we understand these changes, and redefine the nature of performance and performance space within an electronic culture. The genre of electroacoustic music can provide an exceptional opportunity to explore new means in which the links between music, performance, and architecture can be renewed. The Masters Degree Project (MOP) will investigate the ways in which we can begin to redefine contemporary performance, along with how performance and architecture can engage and interact with one another to provide for a contemporary performance environment. The design of an electroacoustic music facility for the city of Calgary will test theories regarding an architecture of performance, allowing electroacoustic music to develop with contemporary performance practices.
Open Access
An ecozoic housing complex: the pursuit of a sustainable housing alternative within the urban context of Calgary
(2010) Blair, Daren R.; Lee, Tang G.
Open Access
An organic transit oriented development in Calgary
(2009) Joslin, Chris; Kolarevic, Branko
Open Access
An other contemporary museum of art
(2009) Davidson, Travis; Brown, John L.
Open Access
Anachronistic waters: a public bath for the new world order
(2000) Timms, Arran; Hamel, Catherine
Open Access
Anchors: time, change and memory in the contemporary city
(2010) Lamers, Matt; Livesey, Graham
Open Access
Architecture and animation: escape, experience, transform
(2011) Hamid, Fadilah; Sinclair, Brian R.