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Browsing The Vault by Department "Architecture"
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- ItemOpen AccessA beautiful ruin: testing scripted site analysis in Victoria Park(2010) Kelly, Kristofer; Hamel, Catherine
- ItemOpen AccessA feast for the senses(2008) Gibson, Kristen; King, Andrew
- ItemOpen AccessA path of sodality: A Catholic maronite church for Calgary(1998) Couture, Vicky; Lee, Tang G.
- ItemOpen AccessA place for healing(1998) Passafaro, Irene M. Walter; Taylor, Dale M.
- ItemOpen AccessA re-cohesion of the urban condition: a western Canadian architectural centre(2005) Lyness, Jeffrey Thomas; Brown, John L.
- ItemOpen AccessA study in veneer culture(1998) Churchill, Jeffery David; Brown, John L.
- ItemOpen AccessA Wadden Sea Interpretive Centre: An MDP document(1996) Koppe, Hans T. J.; Brown, John L.
- ItemOpen AccessAcupuncture and porosity(2009) Chen, Xi; Wang, Yuping; Boutin, Marc
- ItemOpen AccessAdaptive re-use: exploring the middle ground(2006) Bliewert, Ralph; Fowlow, Loraine Dearstyne
- ItemOpen AccessAgile architecture: an innovative approach to mixed-use open building(2009) Blackett, Robert; Sinclair, Brian R.
- ItemOpen AccessAmass to form: tangible architecture for immigrant women(2005) De La Fuente, Yvonne; Hamel, Catherine
- ItemOpen AccessAn aarcitecture of recovery(2006) Stirrett, Peggy; Hamel, Catherine
- ItemOpen AccessAn alternative shelter environment for the elderly(1985) Smith, Sheila J.; Love, James
- ItemOpen AccessAn architecture of diffusion: an electroacoustic music facility for the city of Calgary(2002) Ravndahl, Kerri; Brown, John L.A common debate regarding contemporary music is the perceived loss of the performer, the performance, and therefore, the need for the performance environment. Current trends in contemporary musical performance blur the traditional definition of live through the use of electronic technologies. The majority of music is now rarely composed in reference to a particular performance space; rather it is composed to produce optimal sounds out of a home stereo. It is important that we understand these changes, and redefine the nature of performance and performance space within an electronic culture. The genre of electroacoustic music can provide an exceptional opportunity to explore new means in which the links between music, performance, and architecture can be renewed. The Masters Degree Project (MOP) will investigate the ways in which we can begin to redefine contemporary performance, along with how performance and architecture can engage and interact with one another to provide for a contemporary performance environment. The design of an electroacoustic music facility for the city of Calgary will test theories regarding an architecture of performance, allowing electroacoustic music to develop with contemporary performance practices.
- ItemOpen AccessAn ecozoic housing complex: the pursuit of a sustainable housing alternative within the urban context of Calgary(2010) Blair, Daren R.; Lee, Tang G.
- ItemOpen AccessAn organic transit oriented development in Calgary(2009) Joslin, Chris; Kolarevic, Branko
- ItemOpen AccessAn other contemporary museum of art(2009) Davidson, Travis; Brown, John L.
- ItemOpen AccessAnachronistic waters: a public bath for the new world order(2000) Timms, Arran; Hamel, Catherine
- ItemOpen AccessAnchors: time, change and memory in the contemporary city(2010) Lamers, Matt; Livesey, Graham
- ItemOpen AccessArchitecture and animation: escape, experience, transform(2011) Hamid, Fadilah; Sinclair, Brian R.