Viewing Helen of Sparta and Draupadi of Pancala: A Comparative Approach

dc.contributor.advisorBertolín Cebrián, Reyes
dc.contributor.authorChatterjee, Ratna
dc.contributor.committeememberlevaniouk, Olga
dc.contributor.committeememberHume, James R.
dc.contributor.committeememberRohlman, Elizabeth
dc.contributor.committeememberToohey, Peter
dc.date2018-11
dc.date.accessioned2018-10-02T18:20:02Z
dc.date.available2018-10-02T18:20:02Z
dc.date.issued2018-09-21
dc.description.abstractThis dissertation compares the narrative representations of Helen of Sparta in the Iliad and in the Odyssey along with Krishnā- Draupadī of Pāñcāla in the Mahābhārata. The Trojan War in the Iliad and the devastating war in the Mahābhārata reveal a similar myth that appears in the Cypria of the Epic Cycle and the first book of the Mahābhārata itself. Similarly, Helen in the Iliad and Draupadī in the Mahābhārata are born as casus belli by divine order. Further, they silently follow their fathers’ instructions in choosing their suitors in marriage. While these women are subjects to the wishes of the gods and to their fathers, I argue in this dissertation that these two heroines are capable of expressing themselves with a powerful speaking voice. As a result, my project reveals that Homer and Vyasa grapple with a surprisingly similar situation in the epics showing the layers of two cultures of pre-Indo-European and Indo-European in characterizing Helen and similarly, pre-Vedic and Vedic in the portrayals of Draupadī. This dissertation is broken up into three parts and two chapters each. While the first part of the dissertation focuses on Helen and Draupadī as casus belli and also as silent women, the second part examines their powerful self-presentations, particularly their rhetorical skill encountering men and women (goddess Aphrodite in Helen’s case) in various situations. Thus Homer in his epics and Vyāsa in the Mahābhārata create two heroines who subvert the established system with their use of multiple voice. The third part of this dissertation investigates how the metaphorical presentations of Space and Time in Homeric and Indic epics act as non-verbal signifiers of the many voices of Helen and Draupadī. Finally, this dissertation asserts that Helen’s ambivalent character is the social manifestation of the pre-Indo-European culture at the beginning of Indo-European society. Likewise, the equally equivocal character of Draupadī displays pre-Vedic era while actively maintaining her position in the patrilineal society embedded in Vedic ideology.en_US
dc.identifier.citationChatterjee, R. (2018). Viewing Helen of Sparta and Draupadi of Pancala: A Comparative Approach (Doctoral thesis, University of Calgary, Calgary, Canada). Retrieved from https://prism.ucalgary.ca. doi:10.11575/PRISM/33074en_US
dc.identifier.doihttp://dx.doi.org/10.11575/PRISM/33074
dc.identifier.urihttp://hdl.handle.net/1880/108721
dc.language.isoeng
dc.publisher.facultyArts
dc.publisher.facultyGraduate Studies
dc.publisher.institutionUniversity of Calgaryen
dc.publisher.placeCalgaryen
dc.rightsUniversity of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission.
dc.subjectHelen of Sparta
dc.subjectDraupadi
dc.subjectWestern Epic
dc.subjectIndic Epic
dc.subjectPower of Speech
dc.subjectSelf-representation
dc.subjectIndo-European Culture
dc.subject.classificationLiterature--Classicalen_US
dc.subject.classificationLiterature--Comparativeen_US
dc.subject.classificationHistory--Ancienten_US
dc.titleViewing Helen of Sparta and Draupadi of Pancala: A Comparative Approach
dc.typedoctoral thesis
thesis.degree.disciplineGreek and Roman Studies
thesis.degree.grantorUniversity of Calgary
thesis.degree.nameDoctor of Philosophy (PhD)
ucalgary.item.requestcopytrue
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