Beyond Virus
dc.contributor.advisor | Huynh, Kim | |
dc.contributor.author | Qu, Shuduo | |
dc.contributor.committeemember | Wong, Yoke-Sum | |
dc.contributor.committeemember | Xie, Shaobo | |
dc.date | 2022-11 | |
dc.date.accessioned | 2022-09-26T22:54:19Z | |
dc.date.available | 2022-09-26T22:54:19Z | |
dc.date.issued | 2022-09 | |
dc.description.abstract | Beneath the shadow of the coronavirus pandemic, we have witnessed not only a global public health emergency but also other social crises, such as anti-Asian racism, the Black Lives Matter movement, etc. The pandemic has created an environment for potential social crises and has exacerbated existing social crises. However, when social and cultural crises explode, art responds to them. As an Asian artist who was educated in China and Canada, the existing social issues toward people of color inform my concerns about North American multiculturalism and my art practice. This thesis is divided into five sections: a brief introduction of the background of discrimination in North America and my art practices (Chapter One); the illustration of art appropriation, text-based and comic style artworks that influence my art practices (Chapter Two); how artists’ works reflect their position on social issues (Chapter Three); my thesis exhibition (Chapter Four); and my conclusion (Chapter Five). This paper, alongside the paintings created for my exhibition, explores the usage of appropriation in my art practice and the strength between original works and my recontextualization as well as the roots of racial discrimination and stereotypes. | en_US |
dc.identifier.citation | Qu, S. (2022). Beyond virus (Master's thesis, University of Calgary, Calgary, Canada). Retrieved from https://prism.ucalgary.ca. | en_US |
dc.identifier.uri | http://hdl.handle.net/1880/115293 | |
dc.identifier.uri | https://dx.doi.org/10.11575/PRISM/40299 | |
dc.language.iso | eng | en_US |
dc.publisher.faculty | Arts | en_US |
dc.publisher.institution | University of Calgary | en |
dc.rights | University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. | en_US |
dc.subject | Appropriation | en_US |
dc.subject | Paintings | en_US |
dc.subject | Racism | en_US |
dc.subject | Recontextualization | en_US |
dc.subject | Stereotype | en_US |
dc.subject | Social Crisis | en_US |
dc.subject | Comics | en_US |
dc.subject.classification | Art History | en_US |
dc.subject.classification | Fine Arts | en_US |
dc.title | Beyond Virus | en_US |
dc.type | master thesis | en_US |
thesis.degree.discipline | Art | en_US |
thesis.degree.grantor | University of Calgary | en_US |
thesis.degree.name | Master of Fine Arts (MFA) | en_US |
ucalgary.item.requestcopy | true | en_US |
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