La métamorphose du théâtre aristotélicien : Lope de Vega et Pierre Corneille
atmire.migration.oldid | 2275 | |
dc.contributor.advisor | Maher, Daniel | |
dc.contributor.advisor | Schmidt, Rachel | |
dc.contributor.author | Toews, Sarah | |
dc.date.accessioned | 2014-07-07T15:03:08Z | |
dc.date.available | 2014-11-17T08:00:36Z | |
dc.date.issued | 2014-07-07 | |
dc.date.submitted | 2014 | en |
dc.description.abstract | Lope de Vega and Pierre Corneille are both famous playwrights from the seventeenth-century, one from Spain and the other from France, respectively. This work looks at the differences and similarities in their dramatic theories and the applications of those theories. More specifically, it concentrates on the foundation of their dramatic theories: Aristotle’s Poetics as presented through the work of Francesco Robortello, a sixteenth-century Italian humanist. Since Aristotle was seen as the dramatic authority of the sixteenth and seventeenth century, it is not surprising that his ideas dominated the dramatic theory of the period. However, Robortello’s text was not a direct translation of Aristotle; it was a translation accompanied by commentaries and extrapolations. Therefore, by analyzing the influence of Robortello’s work in the texts of Lope and Corneille, in addition to the modifications Robortello made to the original Aristotelian ideas found in the Poetics, this thesis seeks to find a possible metamorphosis of Aristotelian theatre. | en_US |
dc.identifier.citation | Toews, S. (2014). La métamorphose du théâtre aristotélicien : Lope de Vega et Pierre Corneille (Master's thesis, University of Calgary, Calgary, Canada). Retrieved from https://prism.ucalgary.ca. doi:10.11575/PRISM/26715 | en_US |
dc.identifier.doi | http://dx.doi.org/10.11575/PRISM/26715 | |
dc.identifier.uri | http://hdl.handle.net/11023/1605 | |
dc.language.iso | eng | |
dc.language.iso | fre | |
dc.language.iso | spa | |
dc.publisher.faculty | Graduate Studies | |
dc.publisher.institution | University of Calgary | en |
dc.publisher.place | Calgary | en |
dc.rights | University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. | |
dc.subject | Literature--Comparative | |
dc.subject.classification | theatre | en_US |
dc.title | La métamorphose du théâtre aristotélicien : Lope de Vega et Pierre Corneille | |
dc.type | master thesis | |
thesis.degree.discipline | French, Italian and Spanish | |
thesis.degree.grantor | University of Calgary | |
thesis.degree.name | Master of Arts (MA) | |
ucalgary.item.requestcopy | true |