The importance of Heidegger's early ontology: how to better understand 'the origin of the work of art' by reading 'being and time'

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dc.contributor.advisorMarkotic, Lorraine
dc.contributor.authorRead, Timothy Myron
dc.date.accessioned2017-12-18T22:30:30Z
dc.date.available2017-12-18T22:30:30Z
dc.date.issued2012
dc.descriptionBibliography: p. 88-95en
dc.description.abstractThe aim of this thesis is to orient an audience within the contexts of Heidegger's later thinking by looking back at Being and Time as both an introduction and a guide. My intention is to show how a careful (re)consideration of the earlier concepts truth, world, and disclosure can help us to better understand, as a modification of earlier ideas, the development of a concept central to his later philosophy: namely, the concept of 'artwork' as 'truth establishing itself' or 'setting-up' a world. It is not my intention to provide a close reading of the later text "The Origin of the Work of Art", but to foreshadow the development of it by considering directly related content from Being and Time.
dc.format.extentvi, 95 leaves ; 30 cm.en
dc.identifier.citationRead, T. M. (2012). The importance of Heidegger's early ontology: how to better understand 'the origin of the work of art' by reading 'being and time' (Master's thesis, University of Calgary, Calgary, Canada). Retrieved from https://prism.ucalgary.ca. doi:10.11575/PRISM/4707en_US
dc.identifier.doihttp://dx.doi.org/10.11575/PRISM/4707
dc.identifier.urihttp://hdl.handle.net/1880/105708
dc.language.isoeng
dc.publisher.institutionUniversity of Calgaryen
dc.publisher.placeCalgaryen
dc.rightsUniversity of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission.
dc.titleThe importance of Heidegger's early ontology: how to better understand 'the origin of the work of art' by reading 'being and time'
dc.typemaster thesis
thesis.degree.disciplinePhilosophy
thesis.degree.grantorUniversity of Calgary
thesis.degree.nameMaster of Arts (MA)
ucalgary.item.requestcopytrue
ucalgary.thesis.accessionTheses Collection 58.002:Box 2093 627942965
ucalgary.thesis.notesUARCen
ucalgary.thesis.uarcreleaseyen
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