Poétique des frontières dans le roman francophone africain et caribéen

dc.contributor.advisorGbanou, K. Sélom
dc.contributor.advisorMadibbo, Amal
dc.contributor.advisorAmedegnato, Ozouf S.
dc.contributor.authorKudi, Michael Dodzi
dc.contributor.committeememberOuédraogo, Jean
dc.contributor.committeememberFlynn, Darin M.
dc.date2018-06
dc.date.accessioned2018-01-26T23:15:21Z
dc.date.available2018-01-26T23:15:21Z
dc.date.issued2018-01-12
dc.description.abstractThis study explores, on the one hand, the interactions between narratives and other art and media forms within the narrative and, on the other, the correlation between fiction and non-fiction. Within the context of new trends in francophone literature since the 90s where the novel has become a genre without limit, the work interrogates the reconfiguration of discursive space of the francophone novel made of interactions and transgressions. It focalises on the mixture of genres, the interaction between the fictional text and the paratextual elements (title, preface, postface, foot and endnotes etc.), the narrative text and media forms of expression, and the violence which characterises the elements of narration. The study is based on six novels of six different writers of sub-Saharan Africa and Haiti. This choice is informed by the desire to compare the aesthetics of these writers of different periods, as well as that of the two territories identified notably by cultural and sociological resemblance. This study will be conducted in the light of a comparative research methodology, using elements of the theory of dialogism of Mikhail Bakhtin, coupled with the concepts of intertextuality, intermediality, and the mosaic which deal basically with the interaction of various discourses, voices, and genres, bringing out the conflicting and complementing relationship within a shared space. The analysis reveals that current media and technological advancement and improved culture of mobility which have banished frontiers, account for the loss identities and the creation multifaceted space in literary works. Besides, the fashionable transgression of discursive practices and subversion of established orders have decompartmentalised the literary expression, widening its horizons and giving it a global and a transfrontiers outlook. To this end, the notion of frontiers in the contemporary francophone novel surpasses the status of a theme and imposes itself rather as a framework for the reading of the novel.en_US
dc.identifier.citationKudi, M. D. (2018). Poétique des frontières dans le roman francophone africain et caribéen (Doctoral thesis, University of Calgary, Calgary, Canada). Retrieved from https://prism.ucalgary.ca. doi:10.11575/PRISM/5433en_US
dc.identifier.doihttp://dx.doi.org/10.11575/PRISM/5433
dc.identifier.urihttp://hdl.handle.net/1880/106352
dc.language.isofre
dc.publisher.facultyArts
dc.publisher.facultyGraduate Studies
dc.publisher.institutionUniversity of Calgaryen
dc.publisher.placeCalgaryen
dc.rightsUniversity of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission.
dc.subjectfrontier
dc.subjectfrancophone novel
dc.subjectreconfiguration
dc.subjectinteraction
dc.subjectinterdependance
dc.subjecttransgression
dc.subject.classificationEducation--Arten_US
dc.subject.classificationEducation--Language and Literatureen_US
dc.titlePoétique des frontières dans le roman francophone africain et caribéen
dc.typedoctoral thesis
thesis.degree.disciplineFrench, Italian and Spanish
thesis.degree.grantorUniversity of Calgary
thesis.degree.nameDoctor of Philosophy (PhD)
ucalgary.item.requestcopytrue
ucalgary.thesis.checklistI confirm that I have submitted all of the required forms to Faculty of Graduate Studies.en_US
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