Allegory and Apocatastasis: Walter Benjamin and the Image of Neoliberalism
| dc.contributor.advisor | Xie, Shaobo | |
| dc.contributor.author | Groh, Benjamin | |
| dc.contributor.committeemember | Camara, Anthony | |
| dc.contributor.committeemember | Lai, Larissa | |
| dc.date | 2023-11 | |
| dc.date.accessioned | 2023-08-29T20:50:11Z | |
| dc.date.available | 2023-08-29T20:50:11Z | |
| dc.date.issued | 2023-08 | |
| dc.description.abstract | This dissertation argues that Walter Benjamin’s image of allegory as at once an encounter with a “ruin” and “a petrified, primal landscape” can only be analysed through the prism of a wider critical program that takes into consideration a larger aggregate of his key concepts. The term apocatastasis does not appear often in his writings, but it refers to a sudden intensity of recognition wherein “the entire past is brought into the present.” Rather than a mythic moment of total knowledge, this dissertation argues that Benjamin uses apocatastasis to conceptualize the recognition and preservation of dialectically (i.e., historically) cancelled values. This moment of recognition, or Jetztzeit, corresponds to an authentic political experience—an understanding that the present is not a repetition of previous historical events, but a unique string of values that requires unique, political actualization. Apocatastasis, as this dissertation conceives of it, is a mode of reading that places three key terms in tension: allegory, image, and secularization. These three terms contain a multitude of others that all contextualize the scene of an encounter with some ruined, historical phenomenon (allegory). This dissertation will then use this reading method to critique the ruin of neoliberalism—an allegorical scene par excellence. Through Benjamin’s unfinished writings about the allegorical nature of the commodity form, this dissertation argues that the unique value that emerges in neoliberalism is display value. Display value enables the reification of—and the continuing commodification of—language itself, in ways that were still developing in classical liberalism. With the origins of this value emerging in Baudelaire’s Paris, this dissertation will also attempt to contextualize the extent to which display alters the scene that is still unrecognizable as anything but liberalism to the majority of readers today. | |
| dc.identifier.citation | Groh, B. (2023). Allegory and apocatastasis: Walter Benjamin and the image of neoliberalism (Doctoral thesis, University of Calgary, Calgary, Canada). Retrieved from https://prism.ucalgary.ca. | |
| dc.identifier.uri | https://hdl.handle.net/1880/116914 | |
| dc.identifier.uri | https://dx.doi.org/10.11575/PRISM/41756 | |
| dc.language.iso | en | |
| dc.publisher.faculty | Graduate Studies | |
| dc.publisher.institution | University of Calgary | |
| dc.rights | University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. | |
| dc.subject | Allegory | |
| dc.subject | Apocatastasis | |
| dc.subject | Secularization | |
| dc.subject | Image | |
| dc.subject | Walter Benjamin | |
| dc.subject | Neoliberalism | |
| dc.subject.classification | Philosophy | |
| dc.subject.classification | Education--Language and Literature | |
| dc.subject.classification | Literature--English | |
| dc.subject.classification | Literature--Germanic | |
| dc.title | Allegory and Apocatastasis: Walter Benjamin and the Image of Neoliberalism | |
| dc.type | doctoral thesis | |
| thesis.degree.discipline | English | |
| thesis.degree.grantor | University of Calgary | |
| thesis.degree.name | Doctor of Philosophy (PhD) | |
| ucalgary.thesis.accesssetbystudent | I do not require a thesis withhold – my thesis will have open access and can be viewed and downloaded publicly as soon as possible. |