Change of address: redefining the boundaries of the contemporary 'design museum'

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dc.contributor.advisorWalker, Stuart
dc.contributor.authorRussell, Gillian
dc.date.accessioned2017-12-18T21:29:59Z
dc.date.available2017-12-18T21:29:59Z
dc.date.issued2007
dc.descriptionBibliography: p. 159-164en
dc.descriptionSome pages are in colour.en
dc.descriptionApproval page is missingen
dc.description.abstractSubjected to the arts methods of criticism and similarly exhibited in the style of the 'white cube' gallery, design has yet to develop its own discursive language of criticism. This is exemplified by the phenomenon of the contemporary design museum. Design within the museum offers the visitor a partial, and inadequate, experience due to the fact that a functional artifact is presented solely as an object of aesthetic, and especially visual, interest. The emphasis is placed on very specific (i.e. exterior/form) elements of design. The visitor is given little or no opportunity to appreciate the artifact in a more comprehensive way - appreciating the setting for which it was originally intended or the function it was designed to fulfill. As a result, a more meaningful dialogue with the products on display is denied. An opportunity exists to explore new ideas and new possibilities for design museums in order to generate a better understanding of the design disciplines among the general public. This paper puts forward a possible solution in the form of a systematic web based design platform. The platform offers a basis for enabling the creation of a discursive space, as well as a participatory discourse, for design. What is presented is a new take on the traditional communication media employed by the design museum and an exploration into the relationship between design, communication and emerging mobile technologies. The project is supported by the newfound potential of ubiquitous technologies to alter the ways in which we relate to objects and spaces. It aims to offer a first hand experiential approach to design education and visitor experience, enabling members of the general public to gain a deeper appreciation and understanding of contemporary product design. It presents design as a seamlessly integrated element in our lives while placing emphasis on the significance of first hand experiential engagement as well as on the importance of context as it relates to formulating an appreciation and understanding of design.
dc.format.extentv, 164 leaves : ill. ; 30 cm.en
dc.identifier.citationRussell, G. (2007). Change of address: redefining the boundaries of the contemporary 'design museum' (Master's thesis, University of Calgary, Calgary, Canada). Retrieved from https://prism.ucalgary.ca. doi:10.11575/PRISM/1536en_US
dc.identifier.doihttp://dx.doi.org/10.11575/PRISM/1536
dc.identifier.urihttp://hdl.handle.net/1880/102537
dc.language.isoeng
dc.publisher.facultyEnvironmental Design
dc.publisher.institutionUniversity of Calgaryen
dc.publisher.placeCalgaryen
dc.rightsUniversity of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission.
dc.titleChange of address: redefining the boundaries of the contemporary 'design museum'
dc.typemaster thesis
thesis.degree.disciplineIndustrial Design
thesis.degree.grantorUniversity of Calgary
thesis.degree.nameMaster of Environmental Design (MEDes)
ucalgary.item.requestcopytrue
ucalgary.thesis.accessionTheses Collection 58.002:Box 1750 520492267
ucalgary.thesis.notesUARCen
ucalgary.thesis.uarcreleaseyen
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