Laughter "between the acts": feminist theories in Virginia Woolf's theatrical texts

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dc.contributor.advisorRudy, Susan
dc.contributor.authorMeisner, Natalie
dc.date.accessioned2017-12-18T21:48:50Z
dc.date.available2017-12-18T21:48:50Z
dc.date.issued2005
dc.descriptionBibliography: p. 247-260en
dc.format.extentvii, 260 leaves ; 30 cm.en
dc.identifier.citationMeisner, N. (2005). Laughter "between the acts": feminist theories in Virginia Woolf's theatrical texts (Doctoral thesis, University of Calgary, Calgary, Canada). Retrieved from https://prism.ucalgary.ca. doi:10.11575/PRISM/2527en_US
dc.identifier.doihttp://dx.doi.org/10.11575/PRISM/2527
dc.identifier.urihttp://hdl.handle.net/1880/103528
dc.language.isoeng
dc.publisher.institutionUniversity of Calgaryen
dc.publisher.placeCalgaryen
dc.rightsUniversity of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission.
dc.titleLaughter "between the acts": feminist theories in Virginia Woolf's theatrical texts
dc.typedoctoral thesis
thesis.degree.disciplineEnglish
thesis.degree.grantorUniversity of Calgary
thesis.degree.nameDoctor of Philosophy (PhD)
ucalgary.thesis.accessionTheses Collection 58.002:Box 1595 520492112
ucalgary.thesis.notesUARCen
ucalgary.thesis.uarcreleaseyen
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