Celluloid Thirsty

Bews, Jacob

Celluloid Thirsty

dc.contributor.advisor	van Herk, Aritha
dc.contributor.author	Bews, Jacob
dc.date.accessioned	2020-11-02T22:33:56Z
dc.date.available	2020-11-02T22:33:56Z
dc.date.issued	2020-11-02
dc.description.abstract	In the exegesis, Bews argues that cities have and act as paratexts which define their borders and interpretations by residents. Situated knowledge and research creation, then, become valuable methods for decoding and exploring the implications of those city-paratexts. This is followed by the novella "Celluloid Thirsty," about a film critic tasked with writing a script by a oil-drinking, cannibalistic cowboy.	en_US
dc.identifier.uri	http://hdl.handle.net/1880/112720
dc.identifier.uri	https://dx.doi.org/10.11575/PRISM/38356
dc.language.iso	eng	en_US
dc.publisher.department	English	en_US
dc.publisher.faculty	Arts	en_US
dc.publisher.institution	University of Calgary	en_US
dc.relation	ENGL 504	en_US
dc.rights	University of Calgary undergraduate students retain copyright ownership and moral rights for their work. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission.	en_US
dc.rights.uri	https://creativecommons.org/licenses/by-nc/4.0	en_US
dc.subject	paratext, creative writing, novella, film, cinema, cowboy, gasoline, Alberta, narrative, Guy Maddin, Calgary, Ottawa, Michel de Certeau, Gerard Genette, Brisebois, script, Fort Calgary	en_US
dc.title	Celluloid Thirsty	en_US
dc.type	bachelor thesis	en_US
ucalgary.scholar.level	Undergraduate	en_US