Celluloid Thirsty

dc.contributor.advisorvan Herk, Aritha
dc.contributor.authorBews, Jacob
dc.date.accessioned2020-11-02T22:33:56Z
dc.date.available2020-11-02T22:33:56Z
dc.date.issued2020-11-02
dc.description.abstractIn the exegesis, Bews argues that cities have and act as paratexts which define their borders and interpretations by residents. Situated knowledge and research creation, then, become valuable methods for decoding and exploring the implications of those city-paratexts. This is followed by the novella "Celluloid Thirsty," about a film critic tasked with writing a script by a oil-drinking, cannibalistic cowboy.en_US
dc.identifier.urihttp://hdl.handle.net/1880/112720
dc.identifier.urihttps://dx.doi.org/10.11575/PRISM/38356
dc.language.isoengen_US
dc.publisher.departmentEnglishen_US
dc.publisher.facultyArtsen_US
dc.publisher.institutionUniversity of Calgaryen_US
dc.relationENGL 504en_US
dc.rightsUniversity of Calgary undergraduate students retain copyright ownership and moral rights for their work. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission.en_US
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0en_US
dc.subjectparatext, creative writing, novella, film, cinema, cowboy, gasoline, Alberta, narrative, Guy Maddin, Calgary, Ottawa, Michel de Certeau, Gerard Genette, Brisebois, script, Fort Calgaryen_US
dc.titleCelluloid Thirstyen_US
dc.typebachelor thesisen_US
ucalgary.scholar.levelUndergraduateen_US
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