Own the Stage: An Artist-Centric National Network

dc.contributor.advisorTempleton, Saul
dc.contributor.authorVarsek, Kirsten
dc.date.accessioned2016-10-03T14:57:08Z
dc.date.available2016-10-03T14:57:08Z
dc.date.issued2015-08
dc.description.abstractThis policy analysis faces the challenge of how to raise the wellbeing of Canada’s artists. In particular, this project aims to increase artist wellbeing by acknowledging that artistic work itself plays a vital role in artists’ welfare. As such, a policy mechanism that fosters artistic innovations for the purposes of increasing artist wellbeing will be explored. In its practical form, this mechanism would take the form of a national network that encompasses all levels of government, various training centres, post-secondary research institutes, advocacy groups, fundraisers, and interested artists. Such a network would emulate those already in place in the sports world, networks that take a consolidated, holistic view of sector funding. Further, this policy approach would remove the business functions that have eaten up more and more of artists’ time and funding in recent years.en_US
dc.description.refereedYesen_US
dc.identifier.citationVarsek, Kirsten. (2015). Own the Stage: An Artist-Centric National Network ( Master's thesis, University of Calgary, Calgary, Canada). Retrieved from https://prism.ucalgary.ca.en_US
dc.identifier.doihttp://dx.doi.org/10.11575/PRISM/30050
dc.identifier.urihttp://hdl.handle.net/1880/51687
dc.languageEnglishen_US
dc.language.isoenen_US
dc.publisher.departmentThe School of Public Policyen_US
dc.publisher.facultyFaculty of Graduate Studiesen_US
dc.publisher.institutionUniversity of Calgaryen_US
dc.titleOwn the Stage: An Artist-Centric National Networken_US
dc.typereporten_US
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