in a new land: (be)longing
| atmire.migration.oldid | 6107 | |
| dc.contributor.advisor | Huynh, Kim Lan | |
| dc.contributor.author | Rodriguez del Ojo, Nurgul | |
| dc.contributor.committeemember | Averns, Dick | |
| dc.contributor.committeemember | Cahill, Susan | |
| dc.date.accessioned | 2017-10-05T16:28:29Z | |
| dc.date.available | 2017-10-05T16:28:29Z | |
| dc.date.issued | 2017 | |
| dc.date.submitted | 2017 | en |
| dc.description.abstract | This support paper explores my growing interest in different forms of existence, being, identity formation and specifically diaspora. Through research creation, the field of art and design invariably involves a study of the interplay between a researcher and their artistic work in process. In this writing, the methodologies focus on exploring diaspora, immigration, Canada and ‘the migrants’ time’ in the twenty-first century in terms of understanding political and cultural realities of migration. For Marsha Meskimmon and Robin Cohen, migration is the biggest concern in an era of globalization characterized by the rapid pace of modernization. Four different installation art projects are discussed in this support paper: DESigual: (Ad)dressing identity, Becoming Words: on Process, Becoming Words: “I am going to die in this country as an immigrant.”, and “In a new land…Be longing”. Through these projects, I have explored the practice of installation art, text-based art, and the underlying content of porcelain. I have undertaken a material exploration porcelain paper clay and a conceptual exploration of its use as a medium to emphasize what I refer to as embodied materiality. I aim to visualize the experience of replacement and displacement through representational and non-representational sculptures by making art objects, searching a new material: such as porcelain and using text. | en_US |
| dc.identifier.citation | Rodriguez del Ojo, N. (2017). in a new land: (be)longing (Master's thesis, University of Calgary, Calgary, Canada). Retrieved from https://prism.ucalgary.ca. doi:10.11575/PRISM/26497 | en_US |
| dc.identifier.doi | http://dx.doi.org/10.11575/PRISM/26497 | |
| dc.identifier.uri | http://hdl.handle.net/11023/4214 | |
| dc.language.iso | eng | |
| dc.publisher.faculty | Graduate Studies | |
| dc.publisher.institution | University of Calgary | en |
| dc.publisher.place | Calgary | en |
| dc.rights | University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. | |
| dc.subject | Fine Arts | |
| dc.subject.other | Identity formation | |
| dc.subject.other | diaspora | |
| dc.subject.other | Immigration | |
| dc.subject.other | porcelain | |
| dc.subject.other | installation art | |
| dc.subject.other | text-based art | |
| dc.subject.other | multiculturalism | |
| dc.subject.other | autoethnography | |
| dc.title | in a new land: (be)longing | |
| dc.type | master thesis | |
| thesis.degree.discipline | Art | |
| thesis.degree.grantor | University of Calgary | |
| thesis.degree.name | Master of Fine Arts (MFA) | |
| ucalgary.item.requestcopy | true |